Dead End & The Crows
Nov. 13th, 2022 11:57 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)

My rating: 2 of 5 stars
Even though this is part of a mystery series it's not really a mystery. It's the prequel to the series, explaining why the protagonist Cassandra Sato left Hawai'i for Nebraska (i.e. in academia you can't often chose where you live because jobs are few and in between).
Cassandra wants to move up the administrative ladder and has been wondering what her next step is. Meanwhile at her university there is a tsunami watch that becomes a warning but no one above her will listen to her about the dangers. The whole plot is really in the blurb. As Dean of Students she has to get the students to safety but for some reason a group of them won't leave the dorms and she has to figure out why (that's the 'mystery').
It's a straight forward short story that I have to wonder was originally written as a newsletter freebie or something because there isn't much to it. It's okay but I'm not sure it gives much insight into the character and I didn't feel particularly interested. It doesn't really play that much of a role into why she leaves home except the last paragraph (i.e. plum job offer).
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My rating: 3 of 5 stars
The art in this was amazing and from the author/illustrator notes it started with the author seeing some sketches for this and wanted to do a collaboration. This graphic novella is unsettling and touches on real life traumas as well as the more supernatural. I would call this a 3.5 read. I didn't go for four because the ending was honestly anti-climatic and felt unfinished.
Kim has inherited their grandparent's house in very rural Sweden. In fact most of the town seems to be a ghost town. The house doesn't even have plumbing (has an outhouse) and is covered in cryptic notes. As Kim tries to decide what to do with the house, they are pulled back into their rough upbringing and why they haven't seen their grandparents in a long time.
Without ruining the slow reveals of these traumas we can leave it as its intergenerational (there is some ugly truths about Kim's parents for sure) and the cover art makes it obvious that Kim is biracial (part Asian) so there is definitely racism at play here (in way of a trigger warning).
The Crow-things in the woods, in the bar, around the house are interesting and as I said the art is really fantastic and atmospheric. I wish the ending had been stronger though.
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