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Rare FlavoursRare Flavours by Ram V.

My rating: 4 of 5 stars


CW - cannibalism (sort of, as Rubin points out he's not exactly human)


Rubin Baksh is motivated by the death of Anthony Bourdain to set his own culinary journey down on film and to that end, he hand picks a filmmaker who is down on his luck, Mo. He has hunted down some old movie of Mo's that infuriates the young man but in the end makes him agree to work with Rubin and they set off across India in search of the titular rare flavors.

What Mo doesn't know is that Rubin is a demonic Rakshasa from folklore, a monster of such appetites he cannot be sated. He was stopped once upon a time by a mythic hero who snapped his spine and left him to die in a cave. He did not but he's been lying low until now.

Mo does learn of Rubin's habit of eating people (and doesn't run) and that there are two demon hunters on their trail. The contrast of Rubin's love of food history, of preserving food culture that is disappearing, is a stark one when you consider he's eating some of the people along the way. For much of the graphic novel you also don't know who this Masi is he's talking to in the narration but we learn of her later.

It's also told nonlinearly as we have segments of Mo nervously debuting his documentary. I very much enjoyed the story. I was less of a fan of the art style, especially how oddly with little regard to human form that Rubin was drawn in. I loved the attention to details and the recipes as we went. It's worth reading even with its dark theme.



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The Left-Handed Booksellers of London (Left-Handed Booksellers of London, #1)The Left-Handed Booksellers of London by Garth Nix

My rating: 5 of 5 stars


As much as I like Garth Nix I missed this and came to it via a reading challenge I'm doing and boy am I glad I did. It hits the ground running from the get go. Susan was raised by her hippie mom who might actually not even remember who Susan's father is due to all the LSD she dropped (though she claims she didn't do any). Before starting art college, Susan tries to track down her father in London, leading her to Uncle Frank who was far more criminal and far less human than Susan knew.

Merlin, one of the left handed (which are more of the battle ready side of the booksellers while the right handed are the magical researchers side), has deal with Frank for breaking the supernatural laws they have to follow. Susan finds herself swept up with the handsome, gender fluid Merlin and his/her sister Vivian (who is right handed). Someone is after Susan, maybe to kill her or at least to kidnap her for nefarious reasons.

The book sellers are trying to determine why and just who Susan's father might be. If they're right about her parentage Susan could even be in trouble from their own organization. The book is steeped in British folk lore and is non stop action. Susan and Merlin especially are good characters, strong and intelligent. Doing foolish things is not a mechanism for plot advancement as we so often see. their choices are at least planned briefly.

There is plenty of danger and action and a hint of romance. I loved this book. I wish I had found it a couple months sooner when I was on sabbatical so I could have sat down and read this cover to cover in one sitting. I don't often get book hangovers but this one gave me one in all the best ways. I can't wait to read the next book.



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Whisper of the WoodsWhisper of the Woods by Ennun Ana Iurov

My rating: 3 of 5 stars


This horror graphic novel started out well but faltered at the end. I always wonder when I see a rushed sequential art story was were they only allowed so many panels by the publisher (because that is a thing that happens). The Hoia Baciu is an infamous forest in Romania known for the paranormal activities within it, many of which are very much not good.

Adam goes to Romania to try and find his friend who disappeared in those woods, ignoring literally everyone's warnings to do not go i n there. One local young lady takes him in, showing him someone who had been driven mad by the forest, in hopes of deterring them.

As one might suspect Adam is hard headed and this story going on like a train, never once leaving the predictable rails. It's not a bad story but the ending is too rushed especially once the Iele, the supernatural beings of the forest, show up. It ends as you imagine it might.

The rushed story line is part of the problem (maybe it would have worked if less time was spent on Adam ignoring every warning possible and more on the Iele getting their hooks into him) but for me the problem was the art. It's not bad art but the faces have no noses and large solidly colored eyes giving everyone an almost cutesy look. A more realistic or gritty look would probably have served this story better.



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Devour: A Graphic NovelDevour: A Graphic Novel by Jazmine Joyner

My rating: 4 of 5 stars


Rounded up from 3.5. I struggled with the twist at the end. Also this is rooted in gendered magic which is not my favorite trope (and the twist depends on it). The story is drawn from West African folklore which was cool.

CW - graphic violence at the end, racist bad guys, loss of family

The graphic novel opens with the story of Ansasi, the spider god and his pot of wisdom and how he harms a leopard family. It jumps to early/mid century Alabama with girls Patsy and Vassie and their friends that are never allowed over to their house because what the girls know is going on (magic).

The bulk of the story however is present day with Vassie being the last sister standing and is developing dementia (actually there's a cool twist on this that I don't want to spoil) Her son, his two sons, D(emetrius) and James and his daughter Patsy, moved back to Alabama from California (their mysterious mother doesn't come). Vassie latches on to Patsy as the last girl in the family and begins to teach her the story of Ansasi, their link to him and what their magic is good for.

Naturally Patsy is in a hurry to learn more than her grandmother is willing to teach at once. Her brother D. eventually is brought into the lore side of things because men can't work this magic (though D shockingly shows he miraculously has some ability). In the meantime, Patsy has made friends with Stu, a white boy in her class.

Stu doesn't like his very racist family (a bunch of dead beat Neo Nazis to boot) THey used to own the land Vassie's home is on and used to own Vassie's family until a turn of fortune back during the Civil War and they want everything they think Vassie's family stole from them.

Naturally bad things happen with both Ansasi and Stu's family. Without spoiling things, the end is violent, the gendered magic comes into play and either Stu was playing the long game and good at hiding his true feelings or Ansasi's magic turned him which was very disappointing.

Overall however the story was good. I particularly liked D (more than Patsy). The art is mostly very good but there are panels where bodies are foreshortened with big heads which was odd. It was certainly a book worth looking at.



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Once & Future, Vol. 1: The King is UndeadOnce & Future, Vol. 1: The King is Undead by Kieron Gillen

My rating: 5 of 5 stars


I missed the original run of this since it came out smack dab in the middle of the covid lockdown which is a shame as I would have loved it. That said there is something about the ease of collected editions fitting on a bookshelf.

First up, the art. THIS is what sequential art should look like. How many times have I suffered through art that barely has a notion of what human bodies should look like just because I like the story too much to quit it. Not a problem here. This art is gorgeous. I would buy panels and hang them on my wall. Bridgette especially is wonderful. She's old and they don't try to hide her age. Duncan is an appealing (and appropriate) combination of naive of expression and hot.

The story leans hard into Arthurian legend and at one point when asked if stuff like this happens elsewhere Bridgette's only answer is to say she can barely keep up with the British stuff, she has no idea. The stories and folklore of Britain is coming to life...again.

A group of Nationalists are bringing back Arthur, not quite grasping that his legends in Wales/North England have Brythonic -speaking Celtic roots. He is not a friend of the Anglo-Saxons which make up much of the UK now. He's a big believer in ethnic cleansing and if he gets the Holy Grail he'll do just that.

Bridgette lives a currently quiet life in senior housing and answers the question what would Buffy be like if she were 80. Duncan, her grandson whom she raised as a complete innocent of this lifestyle (and in the sexual sense too) is a museum curator. She forced this lifestyle on him for reasons which you might guess at if you're familiar with the Knights of the Round Table.

In spite of his fear, Duncan is drawn into Bridgette's crazy world and as a result Britain might just stand a chance. I can't go into much more without spoiling some of the twists and they are worth it. Bridgette is hard core and if I had a quibble with this is we're not sure if she is super powered like Buffy because she's doing stuff that might be pushing it given her age. Still, that is minor. This first volume was a blast and I immediate got the next two from the library.



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Once & Future, Vol. 2: Old EnglishOnce & Future, Vol. 2: Old English by Kieron Gillen

My rating: 5 of 5 stars


This picks up from volume one and goes balls to the walls with the action. Duncan has committed to his familial role but not without being angry with his grandmother's deception his whole life (not to mention Mommy dearest and his half sibling Galahad). We have Rose a little more integrated into the story going from someone Duncan is trying to date to their Rupert Giles (and that might be the weakest part of the story, we don't really see Rose's point of view on all of this and why she decides to step up)

Duncan's mom has now teamed up with a very creepy version of Merlin becoming his Nimue and together they pull Beowulf forth from The Story sending him after Duncan and Bridgette. However, if they defeat him then who is to take on Grendel and his mother...oh right, Duncan.

And that is this volume's over arching arc. And it's worth it just to see Bridgette defending the other senior citizens in her home with a chainsaw.

This continues the same high level of story telling and artwork. Galahad's fate is particularly gruesome (though it's not his end and it couldn't have happened to a better prick of a dude). Can't wait for the next volume.



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Once & Future, Vol. 3: The Parliament of MagpiesOnce & Future, Vol. 3: The Parliament of Magpies by Kieron Gillen

My rating: 5 of 5 stars


Without spoiling anything, we can see in this volume why Mary so disliked her mother. We don't know if Bridgette really wanted to hurt her daughter (I am sure she could have if it was necessary but this is 100% Mary's point of view and she has disordered thinking and a skewed (potentially) view of her mother).

Enter into the story an X-Filesque Smoking Man governmental connection who step in after one too many big fights happen. Mary and Merlin continue their scheming. Rose steps even deeper into the story, taking on an active role. Bridgette and Duncan continue to be a delight. The art remains fantastic. I'm loving this series to bits.



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Double WalkerDouble Walker by Michael W. Conrad

My rating: 3 of 5 stars


This horror tried to delve into the original intent of stories about the faeries: they were terrifying. Cully and his pregnant wife, Gemma are in Scotland to get in one last child-free trip. They stop in a small town and decide to trail-walk up a mountain (with associations to faerie lore). Cully is a giant jerk about it when Gemma can't go any further and leaves his pregnant wife there to wait on him because 'they'll never be here again and he's not missing out.'

This fateful, selfish decision pulls the trigger on the rest of the story. He returns to find her prostrate on the ground speaking in what might be Gaelic and she loses the baby. The rest of the story becomes is she grieving this immense loss or did the fey folk switch her out for a changeling?

And then the gruesome murders begin to happen. Cully and Gemma mostly drink and pull further and further apart and the narrative drive is handed over to two detectives, an older local man and a young city hotshot who can't understand why they're doing nothing. The older guy basically says this happens from time to time and if you interfere with the fey, it'll only get worse. It'll run its course and be over with.

The story runs on those rails to the end. It was good and the art served the story. On the the other hand, it was very hard to connect to these characters.



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Onibi: Diary of a Yokai Ghost HunterOnibi: Diary of a Yokai Ghost Hunter by Atelier Sentô

My rating: 3 of 5 stars


This graphic novel had some very weird artistic choices. It centers on two young visitors from France (the blurb says they're Cecile and Olivier but I don't think they're named in the book and those are the names of the creators) Artistic choice one: what age they? they look 12 but I suspect older. Artistic weird choice two: they have no noses. Seriously every other character has a nose but these two are forever noseless.

The young girl gets scammed into a plastic child's toy of a camera that uses expensive film but in theory can photograph yokai, spirits in Japanese lore. So their whole trip becomes about taking yokai photographs which they never seem to see in real time but each story ends with a diary entry and a photoshopped photo with yokai in them. That was the cleverest part of all of this.

The stories weren't bad just not memorable. THey are shallow. It would have been nicer perhaps if they had done less stories and gave everyone more depth.



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Cold Iron (#1 - #4)Cold Iron by Andy Diggle

My rating: 4 of 5 stars


Cold Iron in one way is your typical fae folk tale but in another is a bit different in that instead of our usual suspects of say Ireland or England it's set on the Isle of Man, using their folklore. Kay is a young woman working in a rather rough bar, dreaming of making it off the rural island to the bigger cities, hoping her music will take her there. Her boyfriend is pretty much a loser and her parents are gone. She's been raised by her grandmother who is one hundred percent invested in the idea that the fae folk are very real, insisting on Kay touching the iron horse shoe every time she goes in and out.

I like granny even though her main purpose is to inform the reader about Manx folklore as she lectures Kay, even including the fact the island takes its name from Manannán mac Lir, a god-hero who now resides inside the fae realm. Kay, naturally believes none of it until she nearly runs over a young girl one night. Mona is on the run from a Glashtyn.

Mona was given to the fae -and to The Widower, Manannán's title as names have power - by someone in exchange for his wish, nearly 200 years ago. Determined to keep Mona safe and out of faerie hands, Kay is unafraid to take the fight to them.

The story ends with a prose epilogue about ten years down the road which was an interesting edition.

I love these kinds of faerie tales, the reminder they were not considered nice and cute in the past (though hot fae folk stories are fun too) I thought the story was well done and well paced. I also very much like Brokenshire and Muller's art. The one detail that stood about about granny, the hands. Hands are hard in general but they managed to capture that weathered skin, atrophied muscled hands down to the knobby arthritic knuckles. That really pleased me.



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LOVE IS LOVE Poetry Anthology: In aid of Orlando's Pulse victims and survivorsLOVE IS LOVE Poetry Anthology: In aid of Orlando's Pulse victims and survivors by Lily G. Blunt

My rating: 4 of 5 stars


I bought this years ago as all proceeds went to helping others in the aftermath of the Pulse shooting in Orlando (and then put it somewhere in my TBR where it got swallowed up until now.

As with any poetry anthology it's going to be a YMMV situation. Some poems will speak to you. Some won't. That's the thing with poetry it tends to hit differently than prose. There's no real need to tell you my favorites, just that there were several I loved. I'm glad I bought this, though I wish there had been no need for the anthology in the first place.



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The Mythology Class: A Graphic NovelThe Mythology Class: A Graphic Novel by Arnold Arre

My rating: 4 of 5 stars


I really enjoyed this one. It was so close to a five star read (I'll say why it wasn't later in the review). The scope of this story is broad and 340 pages or so, making this a weighty graphic novel. It is steeped in in Filipino folklore as suggested by the title. The main point of view character is Nicole, a failed thesis student who has been enamored of the old Filipino mythos her whole life thanks to her grandfather. Her thesis panel all but crushed her spirit until she and a surprisingly large band of young people were gathered up to a house atop a hill by Mrs. Enkanta. They are told they were selected to help heroes of old like Kubin and Sulayman to help gather up encantos, spirits who do not belong in this world.

Oddly enough they mostly agree to this fairly easily. The stand outs in my head is Lane the psychic, the three delinquents (Rey, Gio and one I can't remember, sigh), and Lane's friend Misha. Unfortunately Misha and Rey stand out for the wrong reasons because all they do is fight, they're not quite a couple but argue like one that needs a divorce (and this is one of the reasons I wouldn't go to five stars).

The first half of the story is their various adventures with a variety of creatures of lore and it was a lot of fun. The second half is the rise of the aswangs (a monster I had heard of before) that nearly destroy them all. In the background there are growth arcs for most of the characters and a romantic subplot for Nicole and Kubin.

I did very much enjoy the story. I wasn't a hundred percent sold on the art but it is highly detailed and this was a one-man show in that department so you have to give it respect. I will be looking for more of his work.

So what was my big problem with it? Not going to put it under a spoiler tag because it doesn't really spoil anything. Rey is constantly insulting Misha for her weight (as is Lane her best friend!) straight out calling her fat, eats like a pig etc and I don't know what's worse about this fat shaming is it because she's not drawn as fat (more like slightly heavier than the others but barely) or would it be worse if she was drawn as overweight? Neither scenario would make it better mind you but it seemed somehow worse because she's not really overweight. She's also in the fat people are lazy and dumb stereotype. It added nothing to the story but it really was a distraction from it. I think she was meant as comic relief but she was more whiny than funny.



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Lore Olympus: Volume Three (Lore Olympus, #3)Lore Olympus: Volume Three by Rachel Smythe

My rating: 3 of 5 stars


Honestly if not for the library I wouldn't bother. This is way too much of a soap opera for me. That's not necessarily a bad thing but it's not my thing. I'm also still not a fan of the art.

But my biggest problem is Persephone is being written as a sheltered naive 19 year old but it's coming across like she's dumber than a box of hammers. It's no wonder Minthe is out manuevering her. I rather like Hades in this but I'm not Persephone's biggest fan. Nor am I a fan of how two faced most of them are however that IS in line with the Greek myths so I accept it.

I was glad that at least someone is taking what happened to Persephone at the hands of Apollo seriously (though I'm not 100% sure Eros is a good one to unburden too). He calls it what it is: rape. Not much is done about it (yet) so I'm hoping more will come of it especially when she's trying to get out of the league of eternal virgins or whatever it is they're calling it.

Also romantic outcomes from angry misunderstandings is not a trope I go in for. Like I said before, for the time being if the library keeps providing it, I'll move along with the story but if it stops so do I.



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The Night Marchers and Other Oceanian StoriesThe Night Marchers and Other Oceanian Stories by Kel McDonald

My rating: 3 of 5 stars


I was really excited to see this one because you don't often see Oceanian tales in America unfortunately. Sadly this is one of the weak points as the stories are written as if the reader will be familiar with the folk lore and don't quite carry through if you're not. That said I did enjoy it.

As with all anthologies there is a hit and miss to the stories. For me the two stand outs (both from the Philippines) are The Ibalon Epic: a Retelling of the Baltog and Let's Learn Baybayin. The former has outstanding art and a sympathetic epic hero who wants to retire from the killing and be a farmer. The latter has a war theme too looking at it from an animal's pov (a turtles and lizards) but what makes it interesting is that it is written in Baybayin an old Tagalog script, trying to rescue it which I think is neat.

Hawaiian folklore is the next prevalent one depicted with one or two from Fugi and Maori but over all most are from Hawai'i and the Philippines. I'm glad I read this but also glad it's a library book because it's not one I see myself going back to time and again.



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